Ralph Martin is primarily meets expectations with execution. By applying a wide mixed bag of contemporary procedures, Martin thinks about the firmly related subjects of chronicle and memory. This regularly brings about an examination of both the human requirement for "decisive" stories and the inquiry whether tales "fictionalize" history. His exhibitions are an examination of ideas, for example, genuineness and objectivity by utilizing an exhaustive methodology and semi logical exactness and by referencing documentaries, 'certainty fiction' and mainstream experimental reciprocals. By utilizing a steadily developing chronicle of discovered records to make self-sufficient craftsmanships, he entertains the concept of the mortality of a work of art stood up to with the force of a transient appearance, which is, by being limited in time, substantially more serious. His works are made through strict standards which can be seen as freeing imperatives. Sentimental values, for example, 'motivation', "virtuoso" and "genuineness" are in this manner killed and put into viewpoint.